Demand, not noise
It ranks what people pay for, search for and register, not what is loudest on social media.
FANDOM FINANCE turns what fans in Korea do every day into a weekly demand briefing for the people who make, license and sell IP products worldwide.
Fandom finance is what fans spend: tickets, albums, merchandise, collectibles and time. FANDOM FINANCE tracks that spending as it happens in Korea and reports what is accelerating. It is an editorial service, not a financial one.
Most fandom data is built for marketers. FANDOM FINANCE is built for the people who decide what to order, license or stock next, and who cannot be in Seoul every week. The agent measures demand where it appears first and normalises it so different kinds of IP can be compared. The expert panel turns the reading into a briefing you can act on.
It ranks what people pay for, search for and register, not what is loudest on social media.
One dense, fast market where fandom demand shows up weeks before it travels. The first market and the test bed.
Every note answers one question: should a buyer outside Korea act now, soon, or not yet?
Every IP in the pool is measured on the same three dimensions, every day. You receive the reading, not the raw numbers.
How far the IP's own channels travel: official video, audio and community activity, read for momentum rather than size.
How much people in Korea look for it: search attention and reference activity, measured against the IP's own baseline.
Whether rights are moving: trademark filings and licensing traces that show an IP is being prepared for products.
Weights, sources and raw figures stay internal. What you receive is the result: a direction, a strength and a reason.
Daily readings across the pool of IP tracked in Korea: artists, series and film, games, characters and trends.
Each IP is compared with its own category, so a plush line and a drama can sit in one list without one drowning the other.
The expert panel reads the week's movement, tests it against what is happening on the ground, and writes one line per item on why now.
The briefing goes out once a week, in your language, with sourcing notes a buyer can act on.
The agent is fast and never stops reading. The panel adds the judgement data cannot: working experience in K-content IP, licensing, commerce and export logistics. Nothing ships without both.
The agent starts the reading; specialists finish it. Nothing ships without a person checking it.
IP names appear for identification only. We do not own, license or imply any relationship with the IP we cover.
The briefing is a research publication about demand. It is not a rating, a recommendation or advice of any kind.
Eleven languages from day one, because a reading only matters when it arrives in the language you work in.
FANDOM FINANCE is operated by XOOPLE LABS INC., a Busan-based company building content IP infrastructure for global fandoms. We work where Korean IP, manufacturing and export logistics meet, which is why every briefing ends with sourcing notes, not charts.
No. It is a weekly briefing delivered by email. The site explains the method; the briefing carries the reading. We publish readings and notes, not raw numbers.
A curated pool across five categories in the Korean market: artists, series and film, games, characters (Korean and global IP sold in Korea) and trends. The pool grows as the market moves.
It shows what is accelerating now and explains why. An early reading is not a promise about the future, and we never present it as one.
Yes. Write to team@fandom.finance or use the partner inquiry. Corrections from rights holders are prioritised.
The briefing is free during early access.
One briefing a week. Eleven languages. Free during early access.